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Canon 5D Mark II + Batterygrip
Canon EF USM 3,5-5,6/28-135 IS
Canon EF-L USM 4,0/70-200 CPS
Three 8 GB Compact Flash Cards SanDisk Extreme III
Canon Speedlite 430 EX
MacBook 13" silver for mobile processing
Pinstriping by MAZE
Normally i shoot EVERYTHING with only one lens - because i am just to lazy to move around with a big camera bag; i tried to do so but it just makes me feel uncomfortable and sick - especially at liveshows.
My camera equipment fits in a Lowepro Toploader bag i use for 6 years now. Perfect for me! I´m shooting mainly in RAW Format and liveshots mainly in highest JPEG quality. RAW Import by Adobe Lightroom. Finalisation in Photoshop CS3.
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Don't be surprised if you feel a dry, tickling sensation in the back of your throat after watching the slam-bang racing documentary Dust to Glory. It's probably from the lingering sand and silt spewed from the knobby wheels of an array of machines that skitter from one end of the Baja Peninsula to the other. Using 90 cameras in a variety of formats, director Dana Brown captures the giddy danger of the race with truly visceral force. In 1967, a few California thrill-seekers had the Eureka spirit to take their homemade race cars for some whooping-up in the wide-open land just a few hours away. Since then, the Baja 1000 has turned into a party-fueled happening that's more akin to Burning Man than the Indy 500. It's billed as the world's longest nonstop race, running point-to-point for 1,000 miles through the Mexican desert from Tijuana to La Paz--pretty much the entire length of Baja.
Dana Brown is the son of Bruce Brown, whose 1966 film The Endless Summer sparked a surfing craze, and still holds up as an incomparable ode to the existential surfing lifestyle. Dust to Glory is by no means so profound and uses more of a Warren Miller thrill-marketing style (he of the annual throwaway extreme-skiing films). Cameras swoop down from helicopters, careen through silt, and are put into tracks over which vehicles pass at extreme speeds. In spite of the adrenaline rush, Dust to Glory is ultimately more about what people think about the higher implications of the competition. One veteran finisher describes it this way: "It's like having all 10,000 close calls of your life in one day. It makes regular life feel like slow-motion.
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Photography by Dirk Behlau, Oct. 2008
www.pixeleye.de
Maureen van Mortis, born Sagittarius in Slovakia, grew up speaking Hungarian and Slovakian. At the age of 12, she moved to Austria, learned to speak German and English.
She has worked with well-acclaimed photographer Moritz Schell on "Viennese Blood" exhibition. (www.moritzschell.com) And German photographer Kahen Grace. The two of them won the exceptional prize of 100 best pictures of the year 2008 Award in Germany (www.kahengrace.com)
Another avant-garde photographer, Wolfgang Steiner, hired Maureen for their client Seal Maker International poster. Their company archived the very best accolades from their costumers in more then 60 countries around the world. (www.hackthegray.com).
In 2009 Maureen won the Gold Medal of Excellence at Trierenberg Super Circuit International Photo Competition.
She has worked with well-known Austrian Designer Lena Hoschek (www.lenahoschek.at), and the German Luxury Latex Label Tres Bonjour (www.tresbonjour.de) and Hot Rod Empire Inc. A book by pin up photographer Dirk Behlau from Germany.
Featured in Tattoo, Fashion, Pin Up, Photo Magazines, Bizarre Magazine, Taettowier Magazine, Tattoo Fest, Tattoo Erotica, Customized Magazine Fotohits Magazine, Cruisin Life Magazine, Rebel Rodz Magazine, Marquis Magazine, Zoo Magazine, Femme Fatales Magazine, Kinkats Magazine, Dark Spy, Seitenblicke Austria, News Austria, Gib Magazine and commercials with a Swiss company named “Migros” through a company called Filmproduktion Wiener Klappe. This is just a few of her accomplishments.
www.myspace.com/maureenvanmortis
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